Monday, August 4, 2025

My Favourite Place in the World: Thanjavur

 My Favourite Place in the World: Thanjavur – A Journey through Time

If I were to name my favourite place in the world, I would choose Thanjavur without hesitation. Located in the heart of Tamil Nadu, along the banks of the River Cauvery, Thanjavur is a city that brings the past alive. Its air still carries whispers of kings, scholars, and artists who shaped a civilisation.

A Walk along Royal Footsteps

There’s something magical about walking along the banks of the Cauvery, imagining the very soil once walked upon by Raja Raja Chola and Rajendra Chola. These visionary rulers built not only mighty temples and palaces but also encouraged the growth of literature, irrigation systems, and urban planning. Their legacy lives on, not only in stone but in spirit.

The City of Art and Learning

Thanjavur has long been a cultural and intellectual hub. Its contribution to literature, architecture, and painting is unmatched. The city is home to the world-renowned Tanjore paintings, known for their delicate brushwork and rich detail. Educational institutions that date back centuries still function with pride, carrying forward the city's scholarly tradition.

The Rhythm of Daily Life

What draws me most to Thanjavur is its balance of old and new. The streets are lined with old bookshops, bustling vegetable markets, and craftsmen who continue to preserve ancient techniques. Life moves with a certain rhythm, unhurried and thoughtful. It is a place where tradition and progress coexist in harmony.

Why It is My Favorite

Thanjavur stands out for its deep sense of continuity. It reminds us that we are part of a larger story, a story of invention, resilience, and identity. For me, the city isn’t just a destination. It’s a living museum, a place where the past breathes beside you as you walk through its lanes, explore its heritage, or simply sit by the river and reflect.

 

 

Thanjavur is more than a place I admire; it is where history meets everyday life. And in that union, I find my deepest connection.

Lesson Plan: Blog Writing

 Lesson Plan: Blog Writing

What is a Blog?

Definition of a Blog

A blog (short for “weblog”) is a type of online writing platform where individuals or groups regularly publish articles, opinions, stories, or information on specific topics. Each post is usually displayed in reverse chronological order (most recent first) and may allow readers to interact through comments.

🔹 In simple terms, a blog is a personal or professional web journal that is regularly updated and often reflects the writer’s thoughts, experiences, or expertise.

Types of Blogs

·       1. Personal Blogs – Life stories, opinions

·       2. Professional Blogs – Career advice, skill-building

·       3. Travel Blogs – Experiences from different places

·       4. Food Blogs – Recipes, restaurant reviews

·       5. Educational Blogs – Tutorials, study notes

·       6. Tech Blogs – Gadgets, software reviews

·       7. Fashion & Lifestyle Blogs – Trends, health, beauty

Structure of a Blog Post

Section

Description

Title

Catchy and relevant

Introduction

Hook the reader, set the tone

Body

Main content — divided into paragraphs with subheadings

Conclusion

Summarize and invite responses

Call to Action

Optional — Ask reader to follow, try something, or give feedback

Language and Style

Feature

Notes

Tone

Conversational, engaging, sometimes informal

Voice

First person (“I”, “we”) often used

Clarity

Use short sentences, everyday language

Grammar

Correct but relaxed; contractions are okay

Formatting

Use of bold, bullet points, images enhances readability

Sample Writing Prompts

(My Favourite Place in the World, A Habit That Changed My Life, Top 3 Tips for New College Students, Why I Love Reading (or Cooking/Travelling))

 

Personal Experience Prompts

1.     My Favourite Memory from School

2.     A Day I Will Never Forget

3.     The Person Who Inspires Me the Most

4.     A Journey That Changed Me

5.     A Place I Feel Most at Peace

6.     The Best Meal I’ve Ever Had

7.     The Hardest Challenge I Overcame

8.     A Childhood Game I Still Remember

Travel and Places Prompts

1.     A Hidden Gem in My Hometown

2.     Exploring a Historical Landmark

3.     A Dream Destination I Want to Visit

4.     My Experience at a Cultural Festival

5.     Walking Through the Streets of an Old City

6.     What Makes My City Unique

Opinion & Reflection Prompts

1.     Why Reading Should Be a Daily Habit

2.     How Technology Is Changing Our Lives

3.     What Makes a Good Friend?

4.     My Thoughts on Social Media

5.     How I Handle Stress and Pressure

6.     The Importance of Time Management for Students

Creative & Imaginative Prompts

1. If I Could Time Travel...

2.  A Day in the Life of My Future Self

3.     My Life as an Animal for One Day

4.     If I Could Build a Perfect City

5.     Imagine a World Without Mobile Phones

Academic & Career Prompts

1.     Why I Want to Pursue My Chosen Career

2.     What I Learned from a Group Project

3.     Skills Every Student Should Have

4.     How Education Can Shape Society

5.     A Teacher Who Made a Difference in My Life

 

Assessment Rubric

Criteria

Points

Clarity & Coherence

5

Structure (Title, Intro, Body, Conclusion)

5

Language & Grammar

5

Creativity & Engagement

5

Total

20

 

Friday, August 1, 2025

Herman Melville’s works question human supremacy over nature

 

Herman Melville’s works question human supremacy over nature by portraying nature as a powerful, independent force that cannot be dominated, commodified, or fully understood. Through characters, symbols, and narrative outcomes, he critiques human arrogance and highlights the limits of control over the natural world.

Here’s how this theme unfolds in his key works:

 1. Moby-Dick: Nature as Unconquerable

·        Captain Ahab’s obsessive pursuit of the white whale, Moby Dick, is the clearest example of human arrogance toward nature.

·        Ahab believes he can conquer and control the sea and its creatures, treating the whale as an enemy to be destroyed.

·        But the whale is not just an animal—it represents nature’s will, mystery, and resistance.

·        In the end, nature triumphs: Ahab’s quest leads to destruction, and the sea reclaims the ship and crew.

Melville’s message: Nature does not submit to human pride. Attempts to dominate it often end in failure and self-destruction.

 

2. The Ocean as a Force beyond Human Understanding

·        The ocean in Moby-Dick is vast, unknowable, and symbolic of the sublime power of nature.

·        Melville emphasizes that no science, religion, or technology can fully explain or master the sea.

·        Ishmael, the narrator, reflects on the ocean with awe, fear, and humility—in contrast to Ahab’s arrogance.

“There is, one knows not what sweet mystery about this sea...”
Moby-Dick

 

3. Typee and Omoo: Critique of Western Domination

·        In these early novels, Melville shows how indigenous peoples live in harmony with nature, while Western colonizers disrupt ecological balance.

·        The invading missionaries and traders view nature as something to be tamed or exploited.

·        Melville’s sympathetic portrayal of islanders suggests that human supremacy is a cultural construct, not a universal truth.

 

4. Animals as Agents, Not Objects

·        In Moby-Dick, the whale is not objectified: it is given near-mythical power, presence, and even moral weight.

·        The non-human is not reduced to mere property; instead, it acts as a mirror to human obsession and failure.

·        This challenges the view of animals as inferior or purely utilitarian.

 

Conclusion

Melville’s work critiques the illusion of human dominance over the environment. By portraying nature as autonomous, sacred, and ultimately more powerful, he warns against the dangers of arrogance and calls for humility, respect, and ethical awareness in our relationship with the natural world.

Monday, July 28, 2025

Understanding Interspecies Symbiosis through Ecocriticism

Interspecies Symbiosis in Ecocriticism - Suresh Frederick's Perspective


Title: Understanding Interspecies Symbiosis through Ecocriticism

Based on the Work of: Dr. Suresh Frederick (Author of Ecocriticism: Paradigms and Praxis)


What is Interspecies Symbiosis?

Interspecies symbiosis refers to the mutual, respectful coexistence and interdependence between humans and other species. Dr. Suresh Frederick argues that humans are not superior but are equal participants in a shared ecosystem.


Key Literary and Observational Examples

1. Squirrels: Eco-Symbols of Coexistence

  • Seen building nests in both trees and human dwellings

  • Alert other creatures to danger with warning chirps

  • Help regenerate forests by dispersing seeds

  • Message: They are collaborators, not pests

2. Sparrows: Vanishing Companions of Urban Life

  • Declining due to radiation and habitat loss

  • Once nested in tiled roofs and fed on home grains

  • Message: Their absence signals ecological imbalance

3. Pollinators: Bees and Butterflies

  • Vital to agriculture and biodiversity

  • Suffer from pesticide use and habitat destruction

  • Message: Their survival is directly linked to human food security

4. Trees: Our Breathing Partners

  • Exchange oxygen and carbon dioxide with us

  • Provide shelter, shade, and habitat for other species

  • Message: Literal and symbolic partners in ecological harmony


 Ecocritical Implications

  • Literature should reflect nature as active, not just background

  • Animals and plants deserve literary presence and voice

  • Ecological damage should be read as an ethical failure


Notable Interpretation

“Our survival on this earth depends on our recognition of other species not as tools or threats, but as co-travelers on the planet”. – Suresh Frederick


Classroom Discussion Questions

  1. Can you name a literary work where a non-human species is central?

  2. How can literature change our view of lesser” species / non-humanbeings?

  3. In what ways do our daily lives violate or support interspecies symbiosis?


Recommended Reading:

  • Ecocriticism: Paradigms and Praxis by Suresh Frederick

Sunday, July 27, 2025

From Ego to Eco: Understanding Suresh Frederick’s Earth-Centred Criticism: Ecocriticism

 

From Ego to Eco: Understanding Suresh Frederick’s Earth-Centred Criticism: Ecocriticism

Ecocriticism is earth-centred and all the other approaches are ego-centred”.Suresh Frederick


In this powerful and thought-provoking statement, Indian ecocritic Suresh Frederick urges readers and scholars to rethink how we interpret literature. Unlike most literary theories that place human beings and their struggles at the centre, ecocriticism turns our attention toward the Earth itself. It is a call to shift our perspective from ego to eco.

What Does “Earth-Centred” Mean?

To be earth-centred (or ecocentric) means placing nature and the environment at the heart of our analysis. When reading literature from an ecocritical perspective, we ask:

·        How does this text portray nature?

·        Is the Earth treated with respect or exploitation?

·        Are animals, rivers, and forests simply background elements, or do they have their own voice?

Ecocriticism doesn’t ignore human experiences but insists that the environment is equally vital and worth our attention.

What Does “Ego-Centred” Mean?

In contrast, "ego-centred" approaches focus almost entirely on human concerns:

·        Feminism highlights gender and patriarchy.

·        Marxism deals with class conflict and economics.

·        Psychoanalysis explores the inner world of the human mind.

These are all valuable, but they often relegate nature to the margins, treating it as scenery rather than a character.


Literary Examples: Eco vs Ego

Ecocentric Literature

1. Amitav Ghosh – The Hungry Tide
This novel explores the Sundarbans—a fragile, biodiverse region of India. The story balances human and non-human voices (such as endangered dolphins) and emphasizes the importance of living in harmony with nature.

2. Henry David Thoreau – Walden (1854)

Genre: Memoir / Nature writing
Ecocentric Element:
Thoreau documents his experiment in simple, sustainable living near Walden Pond. Nature is not a backdrop but a
spiritual teacher, a source of peace, and a model for human life.

“I went to the woods because I wished to live deliberately…”

3. Rachel Carson – Silent Spring (1962)

Genre: Non-fiction / Environmental science
Ecocentric Element:
This groundbreaking work exposed the dangers of pesticides, particularly DDT, and sparked the modern environmental movement. Carson speaks
on behalf of ecosystems, birds, and natural cycles disrupted by human greed.

Nature is the victim, and Carson is its voice.

4. Barbara Kingsolver – Prodigal Summer (2000)

Genre: Ecofiction
Ecocentric Element:
This novel interweaves human relationships with ecological ones. Trees, insects, predators, and prey are all essential to the narrative. Kingsolver shows how
human and ecological survival are intertwined.

5. Arundhati Roy – The Ministry of Utmost Happiness (2017)

Genre: Literary fiction
Ecocentric Element:
Roy gives space to
the landscapes of India, the changing climate, and ecological injustice, particularly in urban slums and Kashmir. Ecology and resistance go hand in hand.

6. Leslie Marmon Silko – Ceremony (1977)

Genre: Native American fiction
Ecocentric Element:
Silko’s novel draws on Native American traditions that emphasize
a sacred relationship with the land. The Earth is a living entity, and harmony with it is key to healing from trauma.

7. Margaret Atwood – MaddAddam Trilogy (2003–2013)

Genre: Dystopian / speculative fiction
Ecocentric Element:
Set in a future destroyed by bioengineering and environmental collapse, these novels show
the consequences of ecological neglect. Atwood’s eco-themed dystopia critiques capitalism and biotechnology’s damage to the natural world.

8. Herman Melville – Moby Dick (1851)

Genre: Literary fiction / Adventure
Ecocentric Element:
Though often read for symbolism and character, the novel is rich in
naturalistic detail—the sea, whales, and the ocean ecosystem become complex, morally ambiguous forces. The whale can be read as nature’s revenge or nature’s mystery.

9. Terry Tempest Williams – Refuge: An Unnatural History of Family and Place (1991)

Genre: Memoir / Nature writing
Ecocentric Element:
This book connects the author’s mother’s cancer to nuclear testing in the Utah desert. Williams weaves her grief with the destruction of a bird refuge, showing how
personal and ecological loss are interconnected.

10. Richard Powers – The Overstory (2018)

Genre: Ecofiction
Ecocentric Element:
A sweeping novel that follows multiple characters drawn together by their relationship with
trees. Trees are central—not just as metaphors but as living entities with agency and timeframes far beyond human comprehension.

Ego-Centred Focus

1. Shakespeare’s The Tempest
A postcolonial reading focuses on Caliban as a symbol of colonization. However, an ecocritical reading would highlight how Prospero also dominates and manipulates the natural environment—an allegory for ecological exploitation.


Why Dr Suresh Frederick’s Insight Matters?

Suresh Frederick’s quote serves as a wake-up call. At a time of climate change, mass extinction, and environmental degradation, literary studies must adapt. We need to read literature with the Earth in mind.

·        To question how texts represent nature.

·        To promote empathy for animals, forests, and oceans.

·        To move from human-centred analysis to planet-centred awareness.

This doesn't mean abandoning other theories, but rather enriching them by adding an environmental perspective.


Final Reflection

Without the Earth, there is no literature—and no readers.

Ecocriticism challenges us to listen to the voiceless Earth, to rethink our relationship with the natural world, and to reflect that shift in our reading practices. Suresh Frederick's statement is not just a theory—it's a responsibility.

Let us read not just for ourselves, but also for the Earth.

Ecocriticism Speaks for the Voiceless Earth

 

“Ecocriticism Speaks for the Voiceless Earth” — Giving Nature a Voice through Literature

When Suresh Frederick says, “Ecocriticism speaks for the voiceless earth”, he means that literature can become a voice for nature, which cannot speak for itself. As climate change, extinction, and deforestation threaten the planet, ecocriticism helps us see how stories, poems, and plays reflect, or neglect, the Earth’s condition.


What Is Ecocriticism?

Ecocriticism is the study of how nature and the environment are represented in literature. It challenges the idea that literature should only focus on humans. Instead, it asks:

·        How are forests, rivers, and animals portrayed?

·        Are they valued for themselves, or just used as settings or symbols?

·        Does the text support environmental values or ignore ecological destruction?

Through such questions, ecocriticism becomes a way to listen to the Earth through literature.


Literary Examples That “Speak for the Voiceless Earth”

1. Amitav Ghosh – The Hungry Tide

This novel explores the fragile ecosystem of the Sundarbans, home to both humans and endangered animals like the tiger and river dolphins. Ghosh intertwines myth, science, and storytelling to show how climate and culture are linked.

🔎 Ecocritical insight:
The tide country becomes a
character:  dynamic, unpredictable, and under threat. The novel gives voice to a landscape often marginalized in modern development narratives.


2. Rachel Carson – Silent Spring

Though a work of nonfiction, this text sparked an environmental movement. Carson exposed the dangers of pesticides like DDT, warning of a future where birds no longer sing — a “silent spring.”

🔎 Ecocritical insight:
Carson literally
gives voice to birds and insects, urging humans to listen before it’s too late.


3. Leslie Marmon Silko – Ceremony

A Native American novel that shows the spiritual connection between humans and the Earth. Silko portrays nature as sacred and alive — not separate from human identity, but part of it.

🔎 Ecocritical insight:
This is a powerful example of
Indigenous ecocriticism, which doesn’t just speak for the earth — it listens to it, treating it as teacher and ancestor.


4. J. M. Coetzee – The Lives of Animals

In this metafictional narrative, Coetzee critiques the way humans treat animals. The protagonist argues that animals suffer but cannot speak, and so humans must speak on their behalf.

🔎 Ecocritical insight:
This aligns directly with Suresh Frederick’s point:
we must use our voice to defend the voiceless — whether animals, rivers, or forests.


Why This Matters

Suresh Frederick’s quote reminds us that literature has power — not just to entertain, but to awaken. When we read with an ecocritical lens, we learn to:

·        Respect nature’s presence in a text

·        Challenge stories that glorify human domination

·        Promote empathy for the Earth and its ecosystems


Final Reflection

We live in a time when the Earth is under stress. As glaciers melt and forests burn, we must ask: who will speak for nature?
Suresh Frederick says: “Let literature do it.”
Let
readers, writers, and critics become advocates. Let poems and novels echo the cries of a planet that cannot cry out for itself.

Because when ecocriticism speaks for the voiceless earth,
we start to listen.