Timeline of
Literary Criticism: From Classicism to New Criticism
Phase |
Period |
Key Features |
Key Figures / Works |
Classicism |
Ancient
Greece & Rome |
Order,
reason, imitation of classical models; poetry as moral instruction |
Plato (Republic), Aristotle (Poetics), Horace |
Medieval
Criticism |
5th–15th century |
Religious
and allegorical interpretation; Biblical exegesis; literature subordinate to
faith |
St.
Augustine, Dante (Divine Comedy) |
Renaissance
/ Neoclassicism |
16th–18th century |
Rules,
rationality, decorum, imitation of classical forms |
Philip
Sidney (Defence of Poesie), Dryden, Pope |
Romantic
Criticism |
late 18th
– mid 19th c. |
Emotion,
imagination, originality, genius of the poet |
Wordsworth
(Preface to Lyrical Ballads),
Coleridge |
Victorian
Criticism |
19th
century |
Literature
as moral and social force; cultural criticism |
Matthew Arnold
(The Study of Poetry) |
Modernism |
early
20th century |
Form,
aesthetics, fragmentation, artistic experimentation |
T.S.
Eliot (Tradition and the Individual Talent),
Ezra Pound |
Psychoanalytic
Criticism |
late 19th
– 20th c. |
Id/Ego/Superego,
unconscious, repression, archetypes, symbolism |
Freud,
Jung, Lacan |
New
Criticism |
1920s–1940s |
The text
itself; close reading; rejection of authorial intention & reader response |
Wimsatt
& Beardsley, Cleanth Brooks |
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